<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4155757863864325494</id><updated>2011-07-07T15:34:32.964-07:00</updated><title type='text'>Anticipated Books and Reviews</title><subtitle type='html'>Southwest Journal of Cultures</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://southwestjournalofculturesbooks.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesbooks.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4155757863864325494.post-6205206082709623006</id><published>2009-10-22T20:53:00.000-07:00</published><updated>2010-09-12T17:16:05.504-07:00</updated><title type='text'>2009 Titles</title><content type='html'>&lt;span style="color: red; font-weight: normal;"&gt;from Parkstone Press January 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Shoes&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Marie-Jos'phe Bossan&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Design Studio Press January 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Tatopoulos Design: The Art and Concepts of Patrick Tatopoulos&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by David Queille and Patrick Tatopoulos&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Texas Tech University Press January 10&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Cowboy Park: Steer Roping Contests on the Border&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by John O. Baxter&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Minnesota Historical Society Press January 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Dakota Philosopher: Charles Eastman and American Indian Thought&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by David Martinez&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;from University of Minnesota Press January 26&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Terror and Joy: The Films of Dusan Makavejev&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Lorraine Mortimer&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Toronto Press February 11&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Public Art in Canada: Critical Perspectives&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; edited by Annie Gerin and James S. MacLean&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan September 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Politics and Political Culture in the Masque&lt;/em&gt;&lt;/strong&gt; by James Knowles&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from University of Washington Press June 30&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Uncommon Threads: Wabanaki Textiles, Clothing, and Costumes&lt;/em&gt;&lt;/strong&gt; by Bruce J. Bourque and Laureen La Bar &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Harvard University Asia Center June 15&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Critical Aesthetics: Kobayashi Hideo, Modernity, and Wartime Japan&lt;/em&gt;&lt;/strong&gt; by James Dorsey &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan June 9&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Visual Synergies in Fiction and Documentary Film from Latin America&lt;/em&gt;&lt;/strong&gt; edited by Miriam Haddu and Joanna Page &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press May 1&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Lost Creeks: Collected Journals&lt;/em&gt;&lt;/strong&gt; by Alexander Posey &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from The University of North Carolina Press April 10&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;On Location in Cuba: Street Filmmaking during Times of Transition&lt;/em&gt;&lt;/strong&gt; by Ann Marie Stock &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from British Museum Press March 16 &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Tivaivai: The Social Fabric of the Cook Islands&lt;/em&gt;&lt;/strong&gt; by Andrea Eimke and Susanne Kuchler &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Harvard University Asia Center March 15&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Dry Spells: State Rainmaking and Local Government in Late Imperial China&lt;/em&gt;&lt;/strong&gt; by Jeffrey Snyder-Reinke &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press USA&lt;/span&gt; &lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Thriving on a Riff: Jazz and Blues Influences in African American Literature and Film&lt;/strong&gt;&lt;/em&gt; edited by Graham Lock and David Murray&lt;/span&gt; &lt;span style="color: blue;"&gt;under review by John Smihula, University of Nevada, Reno&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Iowa Press March 16&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Theatre and Identity in Imperial Russia&lt;/em&gt;&lt;/strong&gt; by Catherine A. Schuler &lt;span style="color: #3333ff;"&gt;under review by Kerrie Seymour, Clemson University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan March&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Crisscrossing Borders in Literature of the American West&lt;/em&gt;&lt;/strong&gt; edited by Reginald Dyck and Cheli Reutter&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Mary Ellen Iatropoulos, SUNY New Paltz&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan May 26&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Carnal Inscriptions: Spanish American Narratives of Corporeal Difference and Disability&lt;/em&gt;&lt;/strong&gt; by Susan Antebi &lt;span style="color: #3333ff;"&gt;under review by Mary Ellen Iatropoulos, SUNY New Paltz&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from I.B. Tauris February 17 &lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The American Look: Sportswear, Fashion, and the Image of Women in 1930s an 1940s New York&lt;/em&gt;&lt;/strong&gt; by Rebecca Arnold &lt;span style="color: #3333ff;"&gt;under review by Alexander Stingl&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;From Oxford University Press, February 4&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Ancient Literacies: The Culture of Reading in Greece and Rome&lt;/strong&gt;&lt;/em&gt; by William A. Johnson and Holt N. Parker &lt;span style="color: #3333ff;"&gt;under review by Yves Laberge, Universite Laval, Quebec City&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Wales Press March 15&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Haunting Presences: Ghosts in French Literature and Culture&lt;/em&gt;&lt;/strong&gt; edited by Kate Griffiths and David Evans &lt;span style="color: #3333ff;"&gt;under review by Ian Miller, University College Dublin, Belfield&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Wiley; New edition January 27&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Chocolate: History, Culture, and Heritage&lt;/em&gt;&lt;/strong&gt; by Louis E. Grivetti and Howard-Yana Shapiro &lt;span style="color: #3333ff;"&gt;under review by Rossella Ceccarini&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Arizona Press January 15&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Archaeology of Native-Lived Colonialism: Challenging History in the Great Lakes&lt;/em&gt;&lt;/strong&gt; by Neal Ferris &lt;span style="color: #3333ff;"&gt;under review by Irma Kreiten&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from New York University Press February 1&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Body Panic: Gender, Health, and the Selling of Fitness&lt;/em&gt;&lt;/strong&gt; by Shari Dworkin and Faye Wachs &lt;span style="color: #3333ff;"&gt;under review by Melissa Strong, Northeastern State University&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University Of Chicago Press February 28 &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Remains of Ritual: Northern Gods in a Southern Land&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt; &lt;span style="color: black;"&gt;by Steven M. Friedson&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Michel Demyen&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 0px;"&gt;&lt;span style="color: red;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;from Greenwood Press&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Bureau Of Indian Affairs: From Broken Treaties to Casinos&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Richard E. Monette &lt;span style="color: blue;"&gt;under review by Kathi E.B. Ellis&lt;/span&gt;&lt;br /&gt;&lt;span style="color: blue;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Viking Adult July 30&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Cahokia: Ancient America's Great City on the Mississippi&lt;/em&gt;&lt;/strong&gt; by Timothy R. Pauketat &lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Elizabeth Oliver Lee &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Berg Publishers June 30&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Chinese Fashion from Mao to Now&lt;/em&gt;&lt;/strong&gt; by Juanjuan Wu &lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Meredith Nash, University of Melbourne&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Oxford University Press India May 28&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;The Cultures of History in Early Modern India: Persianization and Mughal Culture in Bengal&lt;/em&gt;&lt;/strong&gt; by Kumkum Chatterjee &lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Fiona Mani, West Virginia University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from University of Wisconsin Press May 15&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Imaginary Friends: Representing Quakers in American Culture, 1650-1950&lt;/em&gt;&lt;/strong&gt; by James Emmett Ryan &lt;span style="color: #3333ff;"&gt;under review by M. Carmen Gomez-Galisteo, Universidad de Alcala&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Continuum May 2&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Viewing Citizens: Film Reception, Criticism, and Culture in Cuba and the USA&lt;/em&gt;&lt;/strong&gt; by Hector Amaya &lt;span style="color: #3333ff;"&gt;under review by Randy Rodriguez&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Harvard University Press April 30&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Borderline Americans: Racial Division and Labor War in the Arizona Borderlands&lt;/em&gt;&lt;/strong&gt; by Katherine Benton-Cohen &lt;span style="color: #3333ff;"&gt;under review by Tiffany Noell&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Mcfarland &amp;amp; Company Inc Publishing March 30&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Sports and Their Fans: The History, Economics and Culture of the Relationship Between Spectator and Sport&lt;/em&gt;&lt;/strong&gt; by Kevin G. Quinn &lt;span style="color: #3333ff;"&gt;under review by Brad Klypchak&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Tauris Academic Studies March 17&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Modern Art at the Berlin Wall: Demarcating Culture in the Cold War Germanys&lt;/em&gt;&lt;/strong&gt; by Claudia Mesch &lt;span style="color: #3333ff;"&gt;under review by Victoria Harms&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan March 17&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Forgery in Nineteenth-Century Literature and Culture: Fictions of Finance from Dickens to Wilde&lt;/em&gt;&lt;/strong&gt; by Sara Malton &lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Agathe Brun&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Harvard University Press March 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;Licentious Gotham: Erotic Publishing and Its Prosecution in Nineteenth-Century New York&lt;/em&gt;&lt;/strong&gt; by Donna Dennis&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Curtis Fogel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University Of Chicago Press March 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;strong&gt;&lt;em&gt;The Gargoyles of Notre Dame: Medievalism and the Monsters of Modernity&lt;/em&gt;&lt;/strong&gt; by Michael Camille &lt;span style="color: #3333ff;"&gt;under review by Katharine D. Walker, Virginia Commonwealth University&lt;/span&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Duke University Press&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Displaced Allegories: Post-revolutionary Iranian Cinema&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Negar Mottahedeh &lt;span style="color: blue;"&gt;under review by Roberta Di Carmine, Western Illinois University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;A Feminine Cinematics: Luce Irigaray, Women and Film&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Caroline Bainbridge &lt;span style="color: blue;"&gt;under review by Laurence Raw, Baskent University, Ankara&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Berghahn Books January 1&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Christine Sprengler &lt;span style="color: blue;"&gt;under review by Greta Methot, Rhode Island School of Design&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press January 1&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;George Washington's War on Native America&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Barbara Alice Mann &lt;span style="color: blue;"&gt;under review by Jeff Carlisle, Oklahoma City Community College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Princeton University Press January 1&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;The Transatlantic Indian, 1776-1930&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Kate Flint &lt;span style="color: blue;"&gt;under review by Rebekah Greene, University of Rhode Island&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press, USA January 2&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;The Hearing Eye: Jazz and Blues Influences in African American Visual Arts&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; edited by Graham Lock and David Murray &lt;span style="color: blue;"&gt;under review by Elizabeth Whittenburg Ozment, University of Georgia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Seagull Books January 6&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Remembered Rhythms: Issues of Diaspora and Music in India &lt;/em&gt;&lt;/strong&gt;edited by Shubha Chadhuri and Anthony Seeger &lt;span style="color: blue;"&gt;under review by Nilanjana Bhattacharya, Jadavpur University, India&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan January 6&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Psychotherapy, American Culture, and Social Policy: Immoral Individualism&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Elizabeth A. Throop &lt;span style="color: blue;"&gt;under review by Gregory Thompson, Rogers State University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University Of Chicago Press January 15&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;TV by Design: Modern Art and the Rise of Network Television&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Lynn Spigel &lt;span style="color: blue;"&gt;under review by Marty Roth&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Harvard University Asia Center January 15&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Accidental Incest, Filial Cannibalism, and Other Peculiar Encounters in Late Imperial Chinese Literature&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Tina Lu &lt;span style="color: blue;"&gt;under review by Andrea Duranti, Unversity of Cagliari, Italy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Illinois Press January 23&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by John Broven &lt;span style="color: blue;"&gt;under review by Timothy J. O'Brien, University of Houston &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Headpress January 29&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Trashfiend: Disposable Horror Culture of the 1960s &amp;amp; 1970s&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Scott Stine &lt;span style="color: blue;"&gt;under review by Rob Weiner, Texas Tech University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Sussex Academic Press January 30&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Visions of Aging: Images of the Elderly in Film&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Amir Cohen-Shalev &lt;span style="color: blue;"&gt;under review by Gladys Louise Tyler&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Cambridge University Press January 31&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;The Two Cultures Controversy: Science, Literature and Cultural Politics in Postwar Britain&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Guy Ortolano &lt;span style="color: blue;"&gt;under review by Laurence Raw, Baskent University, Ankara&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Fairleigh Dickinson University Press January 31&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Bracing Accounts: The Literature and Culture of Polio in Postwar America&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Jacqueline Foertsch &lt;span style="color: blue;"&gt;under review by Alex Stingl&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Chicago Press February&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Chicago 1890: The Skyscraper and the Modern City&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Joanna Merwood-Salisbury &lt;span style="color: blue;"&gt;under review by Rob Weiner, Texas Tech University &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Cambridge University Press February&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Nazi Cinema's New Women&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Jana F. Bruns &lt;span style="color: blue;"&gt;under review by Matthew McMurray, New Jersey City University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan February&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Sexual Difference in European Cinema&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Fabio Vighi &lt;span style="color: blue;"&gt;under review by Ozgur Cicek&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press February&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;From Serra to Sancho: Music and Pageantry in the California Missions&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt; by Craig H. Russell &lt;span style="color: blue;"&gt;under review by Courtney Elkin Mohler, California State University, Dominguez Hills&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Tuckwell Press, Ltd.; Spi edition February 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Fiddle in Scottish Culture: Aspects of the Tradition&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Katherine Campbell &lt;span style="color: blue;"&gt;under review by Elizabeth Oliver Lee&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Exeter Press February 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;British Cinema and Middlebrow Culture in the Interwar Years&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Lawrence Napper &lt;span style="color: blue;"&gt;under review by Laurence Raw, Baskent University, Ankara&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University Of Minnesota Press February 2&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Skyscraper Cinema: Architecture and Gender in American Film&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Merrill Schleier &lt;span style="color: blue;"&gt;under review by Gladys Louise Tyler&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan February 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Media Witnessing: Testimony in the Age of Mass Communication&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; edited by Paul Frosh and Amit Pinchevski &lt;span style="color: blue;"&gt;under review by Michelle Moravec, Rosemont College, Pennsylvania&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan February 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Homosexual Revival of Renaissance Style, 1850-1930&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Yvonne Ivory &lt;span style="color: blue;"&gt;under review by Daniel Farr, Randolph College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan February 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Shakespeare and the Institution of the Theatre: The Best in This Kind&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Erica Sheen &lt;span style="color: blue;"&gt;under review by Robert W. Haynes, Texas A&amp;amp;M International University &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Picador February 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by David Hajdu &lt;span style="color: blue;"&gt;under review by Mihaela Precup, University of Bucharest, Romania&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Berg Publishers February 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Birth of Cool: Style Narratives of the African Diaspora&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Carol Tulloch &lt;span style="color: blue;"&gt;under review by Paul Khalil Saucier, Rhode Island College &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Illinois Press February 4&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Devil You Dance With: Film Culture in the New South Africa&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Audrey McCluskey &lt;span style="color: blue;"&gt;under review by Roberta Di Carmine, Western Illinois University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Georgia Press February 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Screening a Lynching: The Leo Frank Case on Film and Television&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Matthew H. Bernstein &lt;span style="color: blue;"&gt;under review by Nathan G. Tipton, University of Memphis &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Liverpool University Press February 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Idiocy: A Cultural History&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Patrick McDonagh &lt;span style="color: blue;"&gt;under review by Rossitsa Terzieva-Artemis, University of Nicosia, Cyprus&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Georgia Press February 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Unemployed People's Movement: Leftists, Liberals, and Labor in Georgia, 1929-1941&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by James J. Lorence &lt;span style="color: blue;"&gt;under review by Edward Salo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press, USA February 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Stripping Gypsy: The Life of Gypsy Rose Lee&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Noralee Frankel &lt;span style="color: blue;"&gt;under review by Cynthia Miller, Emerson College, Boston&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of California Press February 16&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Witnessing Suburbia: Conservatives and Christian Youth Culture&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Eileen Luhr &lt;span style="color: blue;"&gt;under review by Donna J. Drucker&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from The University of North Carolina Press February 19&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;For the Freedom of Her Race: Black Women and Electoral Politics in Illinois, 1877-1932&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt; by Lisa G. Materson &lt;span style="color: blue;"&gt;under review by Jason Hostutler, Marquette University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;from Boydell Press February 19&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Medieval Cook&lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: black;"&gt; by Bridget Ann Henisch&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Stephanie Plummer, Bowling Green State University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;from Continuum February 21&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Appropriation of Native American Spirituality&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: black;"&gt; by Suzanne Owen&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Susan de Gaia&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;from Westview Press February 21&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Christotainment: Selling Jesus through Popular Culture&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; &lt;span class="Apple-style-span" style="color: black;"&gt;by Shirley R. Steinberg and Joe L. Kicheloe&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Douglas MacLeod, State University of New York, Albany&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;from Cambridge University Press February 28 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;b&gt;&lt;i&gt;Cinema and Classical Texts: Apollo's New Light&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;b&gt;&lt;i&gt; &lt;/i&gt;&lt;/b&gt;by Martin M. Winkler&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Sarah Boslaugh&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;from Equinox Publishing (UK) February 28&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Lure of the Dark Side: Satan and Western Demonology in Popular Culture&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;edited by Christopher Partridge and Eric Christianson &lt;span style="color: #3333ff;"&gt;under review by Rob Weiner, Texas Tech University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="color: #3333ff;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;from University of Massachusetts Press February 28&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Vietnam War in American Memory: Veterans, Memorials, and the Politics of Healing&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Patrick Hagopian &lt;span style="color: blue;"&gt;under review by Jeremy K. Saucier, University of Rochester&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Miami University Press March&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Performing Worlds Into Being: Native American Women's Theater&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Ann Elizabeth Armstrong &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Megan Burnett, Alice Lloyd College&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Columbia University Press March&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Late Age of Print: Everyday Book Culture from Consumerism to Control&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;by Ted Striphas&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Vicky Sue Gilpin&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Bloomsbury USA March 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Lottery Wars: Long Odds, Fast Money, and the Battle Over an American Institution&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Matthew Sweeney&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="color: #3333ff;"&gt;under review by Amanda Cooley, North Carolina Agricultural and Technical State University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Hudson Hills Press Inc.,U.S. March 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Naga Identities: Changing Local Cultures in the Northeast of India&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;by Michael Oppitz, Marion Wettstein, and Thomas Kaiser &lt;span style="color: #3333ff;"&gt;under review by Meraj A. Mubarki&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Wiley-Blackwell March 16&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Queer Visibilities&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Andrew Tucker &lt;span style="color: blue;"&gt;under review by Nathan Tipton, University of Memphis&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Yale University Press March 17&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Cruel and Unusual: The Culture of Punishment in America&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Anne-Marie Cusac &lt;span style="color: #3333ff;"&gt;under review by Henrike Lehnguth, University of Maryland&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Seagull Books March 17&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Paleoperformance: The Emergence of Theatricality as Social Practice&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Tann-Pierre Montelle &lt;span style="color: #3333ff;"&gt;under review by Jerry Jaffe, Lake Erie College&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from University of Illinois Press March 17&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Federal Art Project and the Creation of Middlebrow Culture&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Victoria Grieve &lt;span style="color: #3333ff;"&gt;under review by Megan Burnett, Alice Lloyd College&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from I. B. Tauris March 17&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Mainstreaming Sex: The Sexualization of Western Culture&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Feona Attwood &lt;span style="color: #3333ff;"&gt;under review by Maheswar Satpathy, Indian Institute of Technology, Kanpur&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Cambridge University Press March 31&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Spectator and the Spectacle: Audiences in Modernity and Postmodernity&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;by Dennis Kennedy &lt;span style="color: #3333ff;"&gt;under review by Lucian Gomoll, University of California, Santa Cruz&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Illinois Press April&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Talking with Television: Women, Talk Shows, and Modern Self-Reflexivity&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Helen Wood &lt;span style="color: #3333ff;"&gt;under review by Yuya Kiuchi, Michigan State University&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Southern Illinois University Press April 6&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Hollywood Bloodshed: Violence in 1980s American Cinema&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by James Kendrick &lt;span style="color: blue;"&gt;under review by Sarah Boslaugh&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from The University of North Carolina Press April 8&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;We Have a Religion: The 1920s Pueblo Indian Dance Controversy and American Religious Freedom&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Tisa Wenger &lt;span style="color: blue;"&gt;under review by Bruce Bernstein, Southwestern Association for Indian Arts&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Wiley-Blackwell April 13&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;9/11 Culture&lt;/strong&gt;&lt;/em&gt; by Jeff Melnick &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Waleed Mahdi, University of Minnesota&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;from University of California Press April 13&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Station Identification: A Cultural History of Yiddish Radio in the United States&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Ari Y. Kelman &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Elizabeth Whittenburg Ozment, University of Georgia&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Faber &amp;amp; Faber April 14&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Perfecting Sound Forever: An Aural History of Recorded Music&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Greg Milner &lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;from University of Arizona Press April 18&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;A New Deal for Native Art: Indian Arts and Federal Policy, 1933-1943&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; &lt;span style="color: black;"&gt;by Jennifer McLerran&lt;/span&gt; &lt;span style="color: blue;"&gt;under review by Bruce Bernstein, Southwestern Association for Indian Arts&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="color: blue;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;from Rizzoli April 21, 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;New York 1930: Architecture Between the Two World Wars&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Robert A. M. Sterm, Gregory F. Gilmartin and Thomas Mellins &lt;span style="color: blue;"&gt;under review by Paul Ranogajec, York College and Mercy College, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Doubleday April 21&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Geopolitics of Emotion: How Cultures of Fear, Humiliation, and Hope are Reshaping the World&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Dominique Moisi &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Amarnath Amarasingam, Wilfrid Laurier University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Cambridge University Press April 30&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New Woman&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Cheryl A. Wilson &lt;span style="color: blue;"&gt;under review by Luca Caddia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Hawaii Press May&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Dancing from the Heart: Movement, Gender, and Cook Islands Globalization&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;by Kalissa Alexeyeff &lt;span style="color: #3333ff;"&gt;under review by Matthew J. Forss, Goddard College, Vermont&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Texas Press May 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Dividing the Isthmus: Central American Transnational Histories, Literatures, and Cultures&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Ana Patricia Rodriguez &lt;span style="color: blue;"&gt;under review by Robin O'Brian, Elmira College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Abrams May 1&lt;/span&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;a href="http://www.abramsbooks.com/Books/Graffiti_Kings-9780810975262.html"&gt;&lt;span style="color: black;"&gt;Graffiti Kings: New York City Mass Transit Art of the 1970s&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;by Jack Stewart &lt;span style="color: blue;"&gt;under review by Daniel Farr, Randolph College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press May 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The War in Words: Reading the Dakota Conflict through the Captivity Literature&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Kathryn Zabelle Derounian-Stodola &lt;span style="color: blue;"&gt;under review by Wendy Lucas Castro, University of Central Arkansas&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from University of Rochester Press May 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Music in German Immigrant Theater: New York City, 1840-1940&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by John Koegel &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Reba Wissner, Brandeis University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #3333ff;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan May 12&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Advertising, Subjectivity and the Nineteenth-Century Novel: Dickens, Thackeray, Balzac and the Language of the Walls&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Sara Thornton &lt;span style="color: blue;"&gt;under review by Luca Caddia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="color: blue;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from I.B. Tauris May 12&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Mysterious Skin: Male Bodies in Contemporary Cinema&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Santiago Fouz-Hernandez &lt;span style="color: blue;"&gt;under review by Nathan Tipton, University of Memphis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan May 12&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Women, Feminism, and Femininity in the 21st Century: American and French Perspectives&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; edited by Beatrice Mousli and Eve-Alice Roustang-Stoller &lt;span style="color: #3333ff;"&gt;under review by Janice M. Bogstad, University of Wisconsin&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan May 12&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Mendel's Theatre: Heredity, Eugenics, and Early Twentieth-Century American Drama&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Tamsen Wolff &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;from ABC-CLIO May 13&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;African Americans in the West&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Douglas Flaming &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Theresa Napson Williams, The Richard Stockton College of New Jersey&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Intellect Ltd May 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Diasporas of Australian Cinema&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; edited by Catherine Simpson, Renate Murawska, and Anthony Lambert &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Sarah Pinto, Monash University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Harvard University Press May 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Selling Sounds: The Commercial Revolution in American Music&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by David Suisman &lt;span style="color: blue;"&gt;under review by Timothy J. O'Brien, University of Houston&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of California Press May 25&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Tactile Eye: Touch and the Cinematic Experience&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Jennifer M. Barker &lt;span style="color: #3333ff;"&gt;under review by Henrike Lehnguth, University of Maryland&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Oxford University Press May 28&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Staging the World: Spoils, Captives, and Representations in the Roman Triumphal Procession&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Ida Ostenberg &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Eugenia Russell&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Cambridge University Press May 31&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Native Americans and Anglo-American Culture, 1750-1850: The Indian Atlantic&lt;/strong&gt;&lt;/em&gt; edited&lt;/span&gt; by Tim Fulford and Kevin Hutchings &lt;span style="color: #3333ff;"&gt;under review by Pamela Louderback, Northeastern State University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Cambridge University Press May 31&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Romanticism and Popular Culture in Britain and Ireland&lt;/strong&gt;&lt;/em&gt; edited&lt;/span&gt; by Philip Connell and Nigel Leask &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Cambridge University Press May 31&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Shakespeare's Opposites: The Admiral's Company 1594-1625&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Andrew Gurr &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Suanna Davis, Lone Star College&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan June&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Rogue Performances: Staging Underclasses in Early American Theatre Culture&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Peter Reed &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Brooke Newman, University of Aberdeen&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Berghahn Books June&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Colette's Republic: Work, Gender, and Popular Culture in France, 1870-1914&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Patricia A. Tilburg &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Tatyana Shestakov, York University, Toronto&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Southern Illinois University Press June&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Marguerite H. Rippy &lt;span style="color: #3333ff;"&gt;under review by Chris Pallant, Bangor University, UK&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from I. B. Tauris June&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Blogistan: The Internet and Politics in Iran&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by A. Srebeny and G. Khiabany &lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;from Pickering &amp;amp; Chatto Ltd June 1&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Monstrous Births and Visual Culture in Sixteenth-Century Germany&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Jennifer Spinks &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Katharine D. Walker, Virgina Commonwealth University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press June 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;American Indians, the Irish, and Government Schooling: A Comparative Study&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Michael C. Coleman &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Pamela Louderback, Northeastern State University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Berg Publishers June 9&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Designing the Modern Interior: From The Victorians To Today&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;edited by Penny Sparke, Anne Wealleans, Trevor Keeble, and Brenda Martin &lt;span style="color: blue;"&gt;under review by Paul Ranogajec, York College and Mercy College, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan June 9&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Indonesian Postcolonial Theatre&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Evan Darwin Winet &lt;span style="color: blue;"&gt;under review by Andrea Duranti, University of Cagliari, Italy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Intellect Ltd June 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Beauty and the Beast: Italianness in British Cinema&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Elizabetta Girelli &lt;span style="color: #3333ff;"&gt;under review by Kevin M. Flanagan, University of Pittsburgh&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Exeter Press June 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Marketing Modernity: Victorian Popular Shows and Early Cinema&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Joe Kember &lt;span style="color: #3333ff;"&gt;under review by Daniel Kotzin, Medaille College&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Intellect Ltd June 15&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Serious Play: Modern Clown Performance&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Louise Peacock &lt;span style="color: blue;"&gt;under review by Christophe Collard, Vrije University Brussel, Brussel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University Press of Florida June 19&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Tabloid Valley: Supermarket News and American Culture&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Paul E. Morton &lt;span style="color: #3333ff;"&gt;under review by Amarnath Amarasingam, Wilfrid Laurier University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press, USA June 29&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Golden Dreams: California in an Age of Abundance 1950-1963&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Kevin Starr &lt;span style="color: #3333ff;"&gt;under review by Michael Zeitler, Texas Southern University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press July 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Contesting Knowledge: Museums and Indigenous Perspectives&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Susan Sleeper-Smith &lt;span style="color: blue;"&gt;under review by Bruce Bernstein, Southwestern Association for Indian Arts&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Berg Publishers July 7&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Fashion in Fiction: Text and Clothing in Literature, Film and Television&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Peter McNeil, Vickie Karaminas, and Catherine Cole &lt;span style="color: #3333ff;"&gt;under review by Daniel McNeil, University of Hull&lt;/span&gt; &lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Berg Publishers July 31&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Time, Consumption and Everyday Life: Practice, Materiality and Culture&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; edited by Elizabeth Shove &lt;span style="color: #3333ff;"&gt;under review by Rebekah Greene, University of Rhode Island&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Pickering &amp;amp; Chatto August 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Edinburgh Review in the Literary Culture of Romantic Britain: Mammoth and Megalonyx&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by William Christie &lt;span style="color: #3333ff;"&gt;under review by Eugenia Russell&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan August 18&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Gender and Policy in France&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Gill Allwood and Khursheed Wadia &lt;span style="color: #3333ff;"&gt;under review by Elise M. Dermineur, Purdue University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from I.B. Tauris September 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;New Turkish Cinema: Belonging, Identity and Memory&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Asuman Suner &lt;span style="color: #3333ff;"&gt;under review by Irmak Ertuna, Bingahamton University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Berg Publishers September 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;A History of Visual Culture: Western Civilisation from the 18th to the 21st Century&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; edited by Jane Kromm and Susan Benforado Bakewell &lt;span style="color: #3333ff;"&gt;under review by Kevin M. Flanagan, University of Pittsburgh&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan September 2&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Fleeing the City: Studies in the Culture and Politics of Antiurbanism&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Michael J. Thompson &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Katharine D. Walker, Virgina Commonwealth University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Amarnath Amarasingam, Wilfrid Laurier University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Joseph Morgan, Brandeis University&lt;/span&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;from Manchester University Press May 12&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Cultures of Violence: Racial Violence and the Origins of Segregation in South Africa and the American South&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt; by Ivan Evans &lt;span style="color: #3333ff;"&gt;under review by Theresa Napson Williams, The Richard Stockton College of New Jersey&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Jerry Jaffe, Lake Erie College&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;under review by Reba Wissner, Brandeis University&lt;/span&gt;&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4155757863864325494-6205206082709623006?l=southwestjournalofculturesbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesbooks.blogspot.com/feeds/6205206082709623006/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4155757863864325494&amp;postID=6205206082709623006' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/6205206082709623006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/6205206082709623006'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesbooks.blogspot.com/2008/09/2009-titles.html' title='2009 Titles'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4155757863864325494.post-6127287719418934790</id><published>2009-06-25T10:02:00.001-07:00</published><updated>2009-06-25T11:58:35.690-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-size:130%;"&gt;We are now preparing reviews of several new books. If you wish to review a book for the SJC, please send your contact information and cv to Editor Brian Cowlishaw at&lt;/span&gt; &lt;a href="mailto:cowlishb@nsuok.edu"&gt;cowlishb@nsuok.edu&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4155757863864325494-6127287719418934790?l=southwestjournalofculturesbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesbooks.blogspot.com/feeds/6127287719418934790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4155757863864325494&amp;postID=6127287719418934790' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/6127287719418934790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/6127287719418934790'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesbooks.blogspot.com/2009/06/we-are-now-preparing-reviews-of-several.html' title=''/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4155757863864325494.post-8306041992989920035</id><published>2009-06-25T10:01:00.001-07:00</published><updated>2010-06-23T17:00:00.064-07:00</updated><title type='text'>2009 Titles</title><content type='html'>&lt;span class="Apple-style-span"&gt;&lt;span style="color:red;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="color:#ff0000;"&gt;from Temple University Press October 28&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.blogger.com/goog_1255920247233"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;i&gt;The Day the Dancers Stayed: Performing in the Filipino/American Diaspora&lt;/i&gt;&lt;/b&gt; by Theodore S. Gonzalves&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from University of Hawaii Press November&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247254"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Arts of Kingship: Hawaiian Art and National Culture of the Kalkaua Era&lt;/em&gt;&lt;/strong&gt; by Stacy L. Kamehiro&lt;a href="http://uhpress.wordpress.com/2009/08/03/hawaiian-art-and-national-culture-of-the-kalakaua-era/"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from O Books November 25&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247291"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Resistible Demise of Michael Jackson&lt;/em&gt;&lt;/strong&gt; by Mark Fisher&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from The MIT Press November 30&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247296"&gt;&lt;/a&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Architecture's Desire: Reading the Late Avant-Garde&lt;/strong&gt;&lt;/em&gt; by K. Michael Hays&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Cambridge University Press; 1 edition November 30&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247304"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Reality Television and Arab Politics: Contention in Public Life&lt;/em&gt;&lt;/strong&gt; by Marwan M. Kraidy&lt;a href="http://www.cambridge.org/catalogue/catalogue.asp?isbn=9780521749046"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Cambridge University Press; 1 edition November 30&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247308"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Imperial Boundaries: Cossack Communities and Empire-Building in the Age of Peter the Great&lt;/em&gt;&lt;/strong&gt; by Brian J. Boeck&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Cambridge University Press; 1 edition November 30 &lt;/span&gt;&lt;a href="http://www.blogger.com/goog_1255920247313"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Saints and Church Spaces in the Late Antique Mediterranean: Architecture, Cult, and Community&lt;/em&gt;&lt;/strong&gt; by Ann Marie Yasin&lt;a href="http://www.cambridge.org/catalogue/catalogue.asp?isbn=9780521767835"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from&lt;/span&gt;&lt;span style="color:#ff0000;"&gt; University of Nebraska Press December 1&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247325"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Delaware Tribe in a Cherokee Nation&lt;/em&gt;&lt;/strong&gt; by Brice Obermeyer&lt;a href="http://www.blogger.com/goog_1255920247325"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Cambridge Scholars Publishing; New edition December 1 &lt;/span&gt;&lt;a href="http://www.blogger.com/goog_1255920247330"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Muslim Societies in the Age of Mass Consumption&lt;/em&gt;&lt;/strong&gt; by Johanna Pink&lt;a href="http://www.c-s-p.org/Flyers/Muslim-Societies-in-the-Age-of-Mass-Consumption1-4438-1405-9.htm"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Intellect Ltd December 15&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247363"&gt;&lt;/a&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Digital Radio in Europe: Technologies, Industries and Cultures &lt;/strong&gt;&lt;/em&gt;&lt;a href="http://www.amazon.com/Digital-Radio-Europe-Technologies-Industries/dp/1841502790/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1255924671&amp;amp;sr=1-1"&gt;&lt;/a&gt;edited by Brian O'Neill, Per Jauet, Marko Ala Fossi, Lars Nyre, and Stephen Lax&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Cambridge University Press; 1 edition December 31&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/goog_1255920247368"&gt;&lt;/a&gt;&lt;strong&gt;&lt;em&gt;Henry VIII and His Afterlives: Literature, Politics, and Art&lt;/em&gt;&lt;/strong&gt; edited by Mark Rankin, Christopher Highley, and John N. King&lt;a href="http://www.cambridge.org/us/catalogue/catalogue.asp?isbn=0521514649"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Brepols Publishers December 31 &lt;/span&gt;&lt;a href="http://www.blogger.com/goog_1255920247372"&gt;&lt;/a&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;The Dance of Death in the Middle Ages: Image, Text, Performance&lt;/strong&gt;&lt;/em&gt; by E. Gertsman&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from The University of North Carolina Press October 29&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247237"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Chaotic Justice: Rethinking African American Literary History&lt;/em&gt;&lt;/strong&gt; by John Ernest &lt;span style="color:#3333ff;"&gt;under review by Alexander Stingl&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from University of Nebraska Press December 1&lt;/span&gt; &lt;a href="http://www.blogger.com/goog_1255920247351"&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Rethinking the Fur Trade: Cultures of Exchange in an Atlantic World&lt;/em&gt;&lt;/strong&gt; by Susan Sleeper-Smith &lt;span style="color:#3333ff;"&gt;under review by Pamela Louderback, Northeastern State University, OK&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Texas Tech University Press November 15&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/goog_1255920247278"&gt;&lt;/a&gt;&lt;strong&gt;&lt;em&gt;I Do Not Apologize for the Length of This Letter: The Mari Sandoz Letters on Native American Rights, 1940-1965&lt;/em&gt;&lt;/strong&gt; edited by Kimberli A. Lee &lt;span style="color:#3333ff;"&gt;under review by Pamela Louderback, Northeastern State University, OK&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;from Columbia University Press November 20&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Hollywood Lighting from the Silent Era to Film Noir&lt;/strong&gt;&lt;/em&gt; by Patrick Keating &lt;span style="color:#3333ff;"&gt;under review by Yves Laberge, Universitie Laval, Quebec City&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Cambridge University Press; 1 edition October 12&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247225"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size:0;"&gt;&lt;span style="font-size:0;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Shock, Memory and the Unconscious in Victorian Fiction&lt;/span&gt;&lt;/i&gt;&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;by Jill L. Matus&lt;a href="http://www.cambridge.org/US/series/sSeries.asp?code=CSNL"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; &lt;/span&gt;&lt;span &gt;&lt;span style="color:blue;"&gt;under review by Rebekah Greene, University of Rhode Island&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Berg Publishers October 13&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;The Culture of Knitting&lt;/span&gt;&lt;/b&gt;&lt;/i&gt; by Joanne Turney&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Amy K. Drees, Defiance College, Ohio&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Edinburgh University Press October 15&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Memory and the Moving Image: French Film in the Digital Era&lt;/b&gt;&lt;/i&gt; by Isabelle McNeill&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Sarah Pinto, Monash University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Liverpool University Press October 15&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;The French Atlantic: Travels in Culture and History&lt;/i&gt;&lt;/b&gt; by Bill Marshall&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Kadji Amin, Duke University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Manchester University Press October 27&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Medieval Film &lt;/b&gt;&lt;/i&gt;edited by Anke Bernau and Bettina Bildhauer&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Sarah Pinto, Monash University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Palgrave Macmillan October 27&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247229"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;Fictions of the City: Class, Culture and Mass Housing in London and Paris&lt;/b&gt;&lt;/i&gt; by Matthew Taunton&lt;/span&gt;&lt;a href="http://www.palgrave.com/products/title.aspx?pid=348950"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span &gt; &lt;span style="color:blue;"&gt;under review by Andy Fuller, University of Tasmania, Australia&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of California Press; 1 edition October 29&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;The Spectacle of Deformity: Freak Shows and Modern British Culture&lt;/span&gt;&lt;/b&gt;&lt;/i&gt; by Nadja Durbach&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Lucian Gomoll, University of California, Santa Cruz&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color:blue;"&gt;&lt;br /&gt;&lt;span &gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Cambridge University Press; 1 edition October 31&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;S&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;hock, Memory and the Unconscious in Victorian Fiction&lt;/i&gt;&lt;/b&gt; by Jill L. Matus&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Rebekah Greene, University of Rhode Island&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Cambridge University Press; 1 edition October 31&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Scandal on Stage: European Theater as Moral Trial&lt;/b&gt;&lt;/i&gt; by Theodore Ziolkowski&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Andrew Russ, University of Adelaide, Australia&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;span style="color:red;"&gt;from Cambridge University Press; 1 edition October 31&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247241"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;Political Branding in Cities: The Decline of Machine Politics in Bogota, Naples, and Chicago&lt;/i&gt;&lt;/b&gt; by Eleonora Pasotti&lt;a href="http://www.cambridge.org/us/catalogue/catalogue.asp?isbn=9780521762052"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span &gt; &lt;span style="color:blue;"&gt;under review by Marzia Maccaferri&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Sussex Academic Press November&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247245"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;span &gt;&lt;b&gt;&lt;i&gt;Supernatural Fiction in Early Modern Drama and Culture&lt;/i&gt;&lt;/b&gt; by Ryan Curtis Friesen&lt;/span&gt;&lt;a href="http://www.amazon.com/Supernatural-Fiction-Early-Modern-Culture/dp/1845193296"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span &gt; &lt;span style="color:blue;"&gt;under review by Suanna H. Davis, Lonestar College, Kingwood&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Syracuse University Press November&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247249"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;Masculine Identity in the Fiction of the Arab East Since 1967&lt;/i&gt;&lt;/b&gt; by Samira Aghacy&lt;a href="http://www.syracuseuniversitypress.syr.edu/fall-2009/masculine-identity-arab.html"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; &lt;/span&gt;&lt;span &gt;&lt;span style="color:blue;"&gt;under review by Andrea Duranti, University of Cagliari&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from AK Press November 1&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;Paradoxes of Utopia: Anarchist Culture and Politics in Buenos Aires, 1890-1910&lt;/i&gt;&lt;/b&gt; by Juan Suriano&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Julia Hudson-Richards, Penn State Altoona&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of California Press; 1 edition November 2&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247258"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;i&gt;&lt;b&gt;Monument Wars: Washington, D.C., the National Mall, and the Transformation of the Memorial Landscape&lt;/b&gt;&lt;/i&gt; by Kirk Savage&lt;a href="http://www.ucpress.edu/books/pages/11195.php"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:times new roman;"&gt; &lt;/span&gt;&lt;span &gt;&lt;span style="color:blue;"&gt;under review by Michelle Moravec, Rosemont College, Rosemont, PA&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of California Press; 1 edition November 3&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247262"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;i&gt;&lt;b&gt;The Pueblo Revolt and the Mythology of Conquest: An Indigenous Archaeology of Contact&lt;/b&gt;&lt;/i&gt; by Michael V. Wilcox&lt;span style="font-family:times new roman;"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt; &lt;/span&gt;&lt;span &gt;&lt;span style="color:blue;"&gt;under review by Sandra Slater, College of Charleston, South Carolina&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Oxford University Press, USA November 5&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247266"&gt;&lt;span style="font-family:times new roman;color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;i&gt;&lt;b&gt;Playboy and the Making of the Good Life in Modern America&lt;/b&gt;&lt;/i&gt; by Elizabeth Fraterrigo &lt;span &gt;&lt;span style="color:blue;"&gt;under review by Ron Briley, Sandia Preparatory School&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Oxford University Press, USA November 5&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247270"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;b&gt;&lt;i&gt;The Plantation in the Postslavery Imagination &lt;/i&gt;&lt;/b&gt;by Elizabeth Christine Russ&lt;/span&gt;&lt;a href="http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/AmericanLiterature/LiteraryCriticism/?view=usa&amp;amp;ci=9780195377156"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color:blue;"&gt;&lt;/span&gt;&lt;span &gt; &lt;span style="color:blue;"&gt;under review by LuElla Putnam, Oklahoma State University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of California Press; 1 edition November 6&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247274"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;1989: Bob Dylan Didn't Have This to Sing About&lt;/b&gt;&lt;/i&gt; by Joshua Clover &lt;span style="color:blue;"&gt;under review by Ron Briley, Sandia Preparatory School&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of North Carolina Press November 8&lt;/span&gt; &lt;/div&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;We Were All Like Migrant Workers Here: Work, Community, and Memory on California's Round Valley Reservation, 1850-1941&lt;/b&gt;&lt;/i&gt; by William J., Jr. Bauer&lt;/span&gt;&lt;span style="color:blue;"&gt; under review by Sharon D. Raynor, Johnson C. Smith University, Charlotte&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University Press of Kansas November 9&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Cuttin' Up: How Early Jazz Got America's Ear&lt;/b&gt;&lt;/i&gt; by Court Carney&lt;/span&gt; &lt;span class="Apple-style-span"  style="color:white;"&gt;&lt;span style="color:blue;"&gt;under review by Reba Wissner, Brandeis University&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Liverpool University Press November 15&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Cinematic Fictions: The Impact of the Cinema on the American Novel up to World War II&lt;/b&gt;&lt;/i&gt; by David Seed &lt;/span&gt;&lt;span style="color:blue;"&gt;under review by Daniel Kotzin, Medaille College&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University Press of Kentucky; 1 edition November 15&lt;/span&gt; &lt;/div&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;The Tube Has Spoken: Reality TV and History&lt;/i&gt;&lt;/b&gt; by Julie Anne Taddeo and Ken Dvorak&lt;/span&gt;&lt;span style="color:blue;"&gt; under review by Katie Ellis, University of Western Australia&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Edinburgh University Press November 15&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247282"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;The Great War on the Small Screen: Representing the First World War in Contemporary Britain&lt;/b&gt;&lt;/i&gt; by Emma Hanna&lt;span style="color:black;"&gt;&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Mark Celinscak, York University, Toronto&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Ashgate Pub Co November 30&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247300"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;Music, Sound and Silence in Buffy the Vampire Slayer&lt;/b&gt;&lt;/i&gt; by Paul Attinello&lt;/span&gt;&lt;a href="http://www.ashgate.com/default.aspx?page=637&amp;amp;title_id=9034&amp;amp;edition_id=10142&amp;amp;calcTitle=1&amp;amp;lang=cy-GB"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span &gt; &lt;span style="color:blue;"&gt;under review by Vicky Sue Gilpin, Millikin University&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Oklahoma Press November 30&lt;/span&gt; &lt;/div&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Nicholas Black Elk: Medicine Man, Missionary, Mystic&lt;/b&gt;&lt;/i&gt; by Michael F. Steltenkamp&lt;/span&gt;&lt;br /&gt;&lt;span style="color:blue;"&gt;under review by Kathi E.B. Ellis&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Cambridge University Press; 1 edition November 30&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247321"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;span &gt;&lt;b&gt;&lt;i&gt;Protestantism and Drama in Early Modern England&lt;/i&gt;&lt;/b&gt; by Adrian Streete &lt;span style="color:blue;"&gt;under review by Suanna H. Davis, Lone Star College, Kingwood&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Wiley-Blackwell December&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;The Myth of Popular Culture from Dante to Dylan&lt;/i&gt;&lt;/b&gt; by Perry Meisel&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Janice M. Bogstad, University of Wisconsin&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University Of Chicago Press December 1&lt;/span&gt; &lt;/div&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247334"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;span &gt;&lt;b&gt;&lt;i&gt;Whose Fair?: Experience, Memory, and the History of the Great St. Louis Exposition&lt;/i&gt;&lt;/b&gt; by James Gilbert&lt;span style="color:black;"&gt;&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Beth Kattelman, Ohio State University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University Of Chicago Press December 1&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247339"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;b&gt;&lt;i&gt;A Grammar of Murder: Violent Scenes and Film Form &lt;/i&gt;&lt;/b&gt;&lt;span style="color:black;"&gt;by Karla Oeler &lt;/span&gt;&lt;span style="color:blue;"&gt;under review by Beth Kattelman, Ohio State University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Nebraska Press December 1&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247343"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;Dirty Wars: Landscape, Power, and Waste in Western American Literature&lt;/b&gt;&lt;/i&gt; by John Beck &lt;span style="color:blue;"&gt;under review by Daniel Gerling, University of Texas, Austin&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Illinois Press; 1st Edition edition December 1&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247347"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;The Uncanny Gaze: The Drama of Early German Cinema&lt;/b&gt;&lt;/i&gt; by Heide Schlupmann, translated by Inga Pollmann&lt;/span&gt;&lt;a href="http://www.press.uillinois.edu/books/catalog/67dnr8mb9780252032837.html"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span &gt; &lt;span style="color:blue;"&gt;under review by Beth Kattelman, Ohio State University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University Press of Kentucky; 1 edition December 1&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Hollywood's War with Poland, 1939-1945&lt;/b&gt;&lt;/i&gt; by M.B.B. Biskupski &lt;/span&gt;&lt;span style="color:blue;"&gt;under review by Matthew McMurray, New Jersey City University&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Univ of Minnesota Press December 4&lt;/span&gt; &lt;/div&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Dreams of Difference, Songs of the Same: The Musical Moment in Film&lt;/b&gt;&lt;/i&gt; by Amy Herzog&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Greta Methot, Rhode Island School of Design&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Texas Press December 7&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Manhood in Hollywood from Bush to Bush&lt;/b&gt;&lt;/i&gt; by David Greven &lt;/span&gt;&lt;span style="color:blue;"&gt;under review by Sarah Pinto, Centre for Australian Indigenous Studies, Monash University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Berg Publishers December 8&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247355"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;&lt;span &gt;American Science Fiction Film and Television&lt;/span&gt;&lt;/b&gt;&lt;/i&gt; by Lincoln Geraghty &lt;span style="color:blue;"&gt;under review by Vicky Sue Gilpin, Millikin University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Virginia Press; 1 edition December 15&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;i&gt;&lt;b&gt;Rome Reborn on Western Shores: Historical Imagination and the Creation of the American Republic&lt;/b&gt;&lt;/i&gt; by Eran Shalev&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Edward Salo&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Ashgate Publishing December 15&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.blogger.com/goog_1255920247359"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;span &gt;&lt;b&gt;&lt;i&gt;Women and the Material Culture of Needlework and Textiles, 1750–1950&lt;/i&gt;&lt;/b&gt; edited by Maureen Goggin and Beth Tobin &lt;/span&gt;&lt;span style="color:#3333ff;"&gt;under review by Julia Hudson-Richards, Pennsylvania State University&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Michigan Press December 28&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;Skate Life: Re-Imagining White Masculinity&lt;/i&gt;&lt;/b&gt; by Emily Chivers Yochim&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Louis Moore, Grand Valley State University, Michigan&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from American Literatures Initiative December 28&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;Culinary Fictions: Food in South Asian Diasporic Culture&lt;/i&gt;&lt;/b&gt; by Anita Mannur&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Fiona Mani, West Virginia University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from University of Virginia Press December 30&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;Wanted: The Outlaw in American Visual Culture&lt;/i&gt;&lt;/b&gt; by Rachel Hall&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Katherine D. Walker, Virginia Commonwealth University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Cambridge University Press December 31&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;Sensation and Modernity in the 1860s&lt;/i&gt;&lt;/b&gt; by Nicholas Daly&lt;/span&gt; &lt;span style="color:blue;"&gt;under review by Alexander Stingl&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size:0;"&gt;&lt;span style="font-size:0;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Brepols Publishers December 31&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;i&gt;&lt;a href="http://www.blogger.com/goog_1255920247376"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;span &gt;&lt;i&gt;&lt;b&gt;Sacral Geographies: Relics and Reliquaries in Medieval Ireland&lt;/b&gt;&lt;/i&gt; by K. Overbey&lt;/span&gt;&lt;a href="http://www.amazon.co.uk/Sacral-Geographies-Reliquaries-Medieval-Cultures/dp/2503527671"&gt;&lt;span style="color:black;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span &gt;&lt;br /&gt;&lt;span style="color:blue;"&gt;under review by Ian Miller, University College Dublin, Belfield&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:red;"&gt;from Cambridge University Press December 31&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span &gt;&lt;span style="color:black;"&gt;&lt;b&gt;&lt;i&gt;Recorded Music: Performance, Culture and Technology&lt;/i&gt;&lt;/b&gt; edited by Amanda Bayley&lt;/span&gt;&lt;br /&gt;&lt;span style="color:blue;"&gt;under review by Reba Wissner, Brandeis University&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4155757863864325494-8306041992989920035?l=southwestjournalofculturesbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesbooks.blogspot.com/feeds/8306041992989920035/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4155757863864325494&amp;postID=8306041992989920035' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/8306041992989920035'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/8306041992989920035'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesbooks.blogspot.com/2009/06/2009-titles.html' title='2009 Titles'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4155757863864325494.post-5584787815410776129</id><published>2009-06-25T09:54:00.000-07:00</published><updated>2010-09-12T17:10:30.881-07:00</updated><title type='text'>2010 Titles</title><content type='html'>&lt;span style="color: black;"&gt;&lt;span style="color: red;"&gt;from Littman Library of Jewish Civilization January&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;The Kabbalistic Culture of Eighteenth-Century Prague: Ezekiel Landau And His Contemporaries&lt;/strong&gt;&lt;/em&gt; edited by Sharon Flatto&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from NYU Press January 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Show Sold Separately: Promos, Spoilers, and Other Media Paratexts&lt;/strong&gt;&lt;/em&gt; by Jonathan Gray&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of California Press; 1 edition January 4&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;2000 Years of Mayan Literature&lt;/em&gt;&lt;/strong&gt; by Dennis Tedlock&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Rio Nuevo Publishers January 15&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sharing the Skies: Navajo Astronomy&lt;/em&gt;&lt;/strong&gt; by David Begay and Nancy C. Maryboy&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Texas Press January 15&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Constructing the Image of the Mexican Revolution: Cinema and the Archive&lt;/em&gt;&lt;/strong&gt; by Zuzana M. Pick&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Cambridge University Press January 31&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Politics and Culture of Honour in Britain and Ireland, 1541-1641&lt;/em&gt;&lt;/strong&gt; by Brendan Kane&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University Press of Mississippi February 1&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Komiks: Comic Art in Russia&lt;/em&gt;&lt;/strong&gt; by José Alaniz&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Baylor University Press February 1&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Good Game: Christianity and the Culture of Sports&lt;/strong&gt;&lt;/em&gt; by Shirl James Hoffman&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan February 16&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Politics and Political Culture in the Masque&lt;/strong&gt;&lt;/em&gt; by James Knowles&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Massachusetts Press; 1 edition March 31&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Passamaquoddy Ceremonial Songs: Aesthetics and Survival&lt;/em&gt;&lt;/strong&gt; by Ann Morrison Spinney&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from The MIT Press March 31&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Warcraft Civilization: Social Science in a Virtual World&lt;/em&gt;&lt;/strong&gt; by William Sims Bainbridge&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Indiana University Press April 13&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Material Culture and Jewish Thought in America&lt;/em&gt;&lt;/strong&gt; by Ken Koltun-Fromm&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Black Dog Publishing August 3&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Forgotten Futures: Municipal Film 1920-1980&lt;/em&gt;&lt;/strong&gt; by Elizabeth Lebas&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Arizona Press September 6&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Occult Life of Things: Native Amazonian Theories of Materiality and Personhood&lt;/em&gt;&lt;/strong&gt; by Fernando Santos-Grenaro &lt;span style="color: blue;"&gt;under review by Courtney Elkin Mohler, California State University, Dominguez Hills&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Pennsylvania State University Press April 1&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Culture of Architecture in Enlightenment Rome&lt;/em&gt;&lt;/strong&gt; by Heather Hyde Minor &lt;span style="color: #3333ff;"&gt;under review by Alex Ludwig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Times New Roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Springer; 1 edition February 23&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Anthropology of Absence: Materializations of Transcendence and Loss&lt;/em&gt;&lt;/strong&gt; edited by Mikkel Bille, Frida Hastrup, and Tim Flohr Sørensen &lt;span style="color: #3333ff;"&gt;under review by Zornitza Grekova, Sofia University, Bulgaria&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press, USA March 26&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Television Dramatic Dialogue: A Sociolinguistic Study&lt;/em&gt;&lt;/strong&gt; by Kay Richardson &lt;span style="color: #3333ff;"&gt;under review by Kerrie Seymour, Clemson University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Massachusetts Press; Public History in His. Perspective ser. edition July 31&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Out of the Attic: Inventing Antiques in Twentieth-Century New England&lt;/em&gt;&lt;/strong&gt; by Briann G. Greenfield &lt;span style="color: #3333ff;"&gt;under review by Hilary Iris Lowe, University of Kansas&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Times New Roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Tauris Academic Studies May 25&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Arab-Israeli Conflict in the Media: Producing Shared Memory and National Identity in the Global Television Era&lt;/em&gt;&lt;/strong&gt; by Tamar Ashuri &lt;span style="color: #3333ff;"&gt;under review by Zornitza Grekova, Sofia University, Bulgaria&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Times New Roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Wesleyan March 31&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Music and Cyberliberties&lt;/em&gt;&lt;/strong&gt; by Patrick Burkart &lt;span style="color: #3333ff;"&gt;under review by Alex Ludwig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Times New Roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from NYU Press February 1&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Musical ImagiNation: U.S-Colombian Identity and the Latin Music Boom&lt;/em&gt;&lt;/strong&gt; by Maria Cepeda &lt;span style="color: #3333ff;"&gt;under review by Sandra Fallon-Ludwig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Times New Roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Minnesota Press January 12&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Electronic Elsewheres: Media, Technology, and the Experience of Social Space&lt;/em&gt;&lt;/strong&gt; edited by Chris Berry, Soyoung Kim, and Lynn Spigel &lt;span style="color: #3333ff;"&gt;under review by Alexander Stingl&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Wiley-Blackwell January 7&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;It Happened One Night&lt;/em&gt;&lt;/strong&gt; by Linda Mizejewski &lt;span style="color: #3333ff;"&gt;under review by Kerrie Seymour, Clemson University&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press January 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Picture This: World War I Posters and Visual Culture&lt;/strong&gt;&lt;/em&gt; by Pearl James &lt;span style="color: #3333ff;"&gt;under review by Jeffrey S. Reznick, Center for First World War Studies, University of Birmingham&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Nebraska Press January 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;em&gt;&lt;strong&gt;Indian Slavery in Colonial America&lt;/strong&gt;&lt;/em&gt; edited by Alan Gallay &lt;span style="color: #3333ff;"&gt;under review by Susan de Gai&lt;/span&gt;&lt;span style="color: #3333ff;"&gt;a&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Indiana University Press January 12&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Gendering the African Diaspora: Women, Culture, and Historical Change in the Caribbean and Nigerian Hinterland&lt;/strong&gt;&lt;/em&gt; edited by Judith A. Byfield, LaRay Denzer, and Anthea Morrison &lt;span style="color: #3333ff;"&gt;under review by Brooke Newman, University of Aberdeen, United Kingdom&lt;/span&gt; &lt;br /&gt;&lt;span style="color: red;"&gt;from University Press of Mississippi January 15&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Stories of Oprah: The Oprahfication of American Culture&lt;/strong&gt;&lt;/em&gt; edited by Trystan T. Cotten and Kimberly Springer &lt;span style="color: #3333ff;"&gt;under review by Katie Ellis, University of Western Australia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Oxford University Press, USA January 15&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Red Families v. Blue Families: Legal Polarization and the Creation of Culture&lt;/strong&gt;&lt;/em&gt; by Naomi Cahn and June Carbone &lt;span style="color: #3333ff;"&gt;under review by Amanda Cooley, North Carolina Agricultural and Technical State University&lt;/span&gt;&lt;span style="color: red;"&gt;from University of Texas Press January 15&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;La Pinta: Chicana/o Prisoner Literature, Culture, and Politics&lt;/strong&gt;&lt;/em&gt; by B. V. Olguín &lt;span style="color: #3333ff;"&gt;under review by Randy A. Rodriguez&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Dartmouth January 29&lt;/span&gt;&lt;em&gt;&lt;strong&gt;The Urban Spectator: American Concept Cities from Kodak to Google&lt;/strong&gt;&lt;/em&gt; by Eric Gordon &lt;span style="color: #3333ff;"&gt;under review by Patrick Haughey, Northeastern University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Dartmouth January 29&lt;/span&gt;&lt;em&gt;&lt;strong&gt;The Self in Black and White: Race and Subjectivity in Postwar American Photography&lt;/strong&gt;&lt;/em&gt; by Erina Duganne &lt;span style="color: #3333ff;"&gt;under review by Sharon D. Raynor, Johnson C. Smith University, Charlotte&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #3333ff;"&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;from New Hampshire January 29&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Fashioning Faces: The Portraitive Mode in British Romanticism&lt;/strong&gt;&lt;/em&gt; by Elizabeth A. Fay &lt;span style="color: #3333ff;"&gt;under review by Timothy M. Kovalcik, Millikin University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Ashgate Publishing February&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Women and the Material Culture of Needlework and Textiles, 1750-1950&lt;/strong&gt;&lt;/em&gt; by Maureen Daly Goggin &lt;span style="color: #3333ff;"&gt;under review by Julia Hudson-Richards, Penn State Altoona &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #3333ff;"&gt;&lt;/span&gt;&lt;span style="font-size: 0px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: red;"&gt;from University of Illinois Press February&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;History by Hollywood: Screening the American Past&lt;/strong&gt;&lt;/em&gt; by Robert Brent Toplin &lt;span style="color: #3333ff;"&gt;under review by Greta Methot, Rhode Island School of Design&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Baylor University Press February 1&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Toying with God: The World of Religious Games and Dolls&lt;/strong&gt;&lt;/em&gt; by Nikki Bado-Fralick &lt;span style="color: #3333ff;"&gt;under review by Adam Park, Florida State University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Methuen Drama February 1&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Screen Adaptations: Shakespeare's King Lear: The Relationship Between Text and Film&lt;/strong&gt;&lt;/em&gt; by Lisa Hopkins and Ian Hunter &lt;span style="color: #3333ff;"&gt;under review by Patrick Enright, Northeastern State University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from University of Georgia Press February 1&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Real Phonies: Cultures of Authenticity in Post-World War II America&lt;/strong&gt;&lt;/em&gt; by Abigail Cheever &lt;span style="color: #3333ff;"&gt;under review by Deborah Christie, University of Miami&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Wallflower Press February 1&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Peep Shows: Cult Film and the Cine-Erotic&lt;/strong&gt;&lt;/em&gt; by Xavier Mendik &lt;span style="color: #3333ff;"&gt;under review by Gwenola Ricordeau, University of Santo Tomas, Manille&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from NYU Press February 1&lt;/span&gt;&lt;strong&gt;&lt;em&gt;Dangerous Curves: Latina Bodies in the Media&lt;/em&gt;&lt;/strong&gt; by Isabel Molina-Guzman &lt;span style="color: #3333ff;"&gt;under review by Natchee Barnd, California College of the Arts&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Palgrave Macmillan February 2&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Visions of Struggle in Women's Filmmaking in the Mediterranean&lt;/strong&gt;&lt;/em&gt; edited by Flavia Laviosa &lt;span style="color: #3333ff;"&gt;under review by Julia Hudson-Richards, Penn State Altoona&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Berg Publishers February 2&lt;/span&gt;&lt;em&gt;&lt;strong&gt;A History of Visual Culture: Western Civilisation from the 18th to the 21st Century&lt;/strong&gt;&lt;/em&gt; edited by Jane Kromm and Susan Benforado Bakewell &lt;span style="color: #3333ff;"&gt;under review by Kevin M. Flanagan, University of Pittsburgh&lt;/span&gt; &lt;br /&gt;&lt;span style="color: #cc0000;"&gt;from University of Minnesota Press February 12&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Manhood Factories: YMCA Architecture and the Making of Modern Urban Culture&lt;/b&gt;&lt;/i&gt; by Paula Lupkin &lt;span style="color: blue;"&gt;under review by Edward Salo&lt;/span&gt; &lt;br /&gt;&lt;span style="color: red;"&gt;from University of Wales Press February 15&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Medieval Blood&lt;/strong&gt;&lt;/em&gt; by Bettina Bildhauer &lt;span style="color: #3333ff;"&gt;under review by Suanna Davis, Lone Star College, Kingwood&lt;/span&gt;&lt;span style="color: red;"&gt;from Oxford University Press, USA February 15&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Cultures of Plague: Medical thought at the End of the Renaissance&lt;/strong&gt;&lt;/em&gt; by Samuel K. Cohn Jr. &lt;span style="color: #3333ff;"&gt;under review by Scott Hendrix, Carroll University&lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Harvard University Press February 15&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;About Faces: Physiognomy in Nineteenth-Century Britain&lt;/strong&gt;&lt;/em&gt; by Sharrona Pearl &lt;span style="color: #3333ff;"&gt;under review by Scott Hendrix, Carroll University &lt;/span&gt;&lt;br /&gt;&lt;span style="color: red;"&gt;from Pickering &amp;amp; Chatto Ltd March 1&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Regionalizing Science: Placing Knowledges in Victorian England&lt;/strong&gt;&lt;/em&gt; by Simon Naylor &lt;span style="color: blue;"&gt;under review by Donna Drucker&lt;/span&gt; &lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;from Cambridge University Press; 1 edition March 31&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: #cc0000;"&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;Music, Culture and Social Reform in the Age of Wagner &lt;/i&gt;&lt;/b&gt;by James Garratt &lt;span style="color: blue;"&gt;under review by Joe Morgan&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: red;"&gt;from Open University Press; 1 edition April 1&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;i&gt;&lt;b&gt;Mediating Politics: Newspapers, Radio, Television and the Internet&lt;/b&gt;&lt;/i&gt; by Neil Washbourne &lt;span style="color: #3333ff;"&gt;under review by Marzia Maccaferri &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: #3333ff;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;from Manchester University Press April 27&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: #cc0000;"&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;Genre and Performance: Film and Television&lt;/b&gt;&lt;/i&gt; by Christine Cornea &lt;span style="color: blue;"&gt;under review by Sandra Slater, College of Charleston, South Carolina&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: red;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: red;"&gt;from University of Exeter Press May 15&lt;/span&gt; &lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;i&gt;&lt;b&gt;British South Asian Theatres: A Documented History &lt;/b&gt;&lt;/i&gt;edited by Graham Ley and Sarah Dadswell &lt;/span&gt;&lt;span style="color: blue;"&gt;under review by Monolina B. Ray&lt;/span&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4155757863864325494-5584787815410776129?l=southwestjournalofculturesbooks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesbooks.blogspot.com/feeds/5584787815410776129/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4155757863864325494&amp;postID=5584787815410776129' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/5584787815410776129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4155757863864325494/posts/default/5584787815410776129'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesbooks.blogspot.com/2009/06/2010-titles.html' title='2010 Titles'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry></feed>
